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The Tug-of-War For CNN Highlights How Broken American Media Has Become.

Late Thursday, while unconfirmed reports spread regarding a shooting at Brown University, CNN’s Kaitlan Collins took to social media, highlighting the uncertainty and guiding the public to her channel's 9pm newscast.

While the network is hardly a impeccable news source, her message resonated for a lot of people. It remains one of the organizations where there exists grounded and largely reliable reporting – especially during fast-moving events such as the one developing close to a New Hampshire storage facility.

A Precarious State Amid a High-Stakes Battle

But CNN, now middle-aged, finds itself in a uncertain situation as two giant media corporations compete for ownership of its parent company, Warner Bros Discovery.

No matter the result, the destiny of CNN has been drawn into a high-risk game of mergers and acquisitions, rather than as a question of what benefits the news-consuming public.

“This is yet another example of the fundamental flaws with origins in decades of policy decisions,” noted Victor Pickard, writer of “Democracy Without Journalism?” and a media policy professor at the University of Pennsylvania.

The speculation about the future owner of Warner Bros Discovery – is it going to be Netflix or Paramount Skydance? – overlooks a more important point.

“It is often framed as a corporate drama with powerful individuals as the main characters, but there is very little discussion of the common good,” Pickard added.

A Further Element: Donald Trump

The CNN scenario is further muddied by Donald Trump’s longstanding stance about a network he has long portrayed as perhaps his main “fake news” antagonist.

Think back to the chants of “CNN sucks!” at the president’s rallies, his team's disciplinary withdrawal of reporter Jim Acosta’s press credentials, or his clashes with Collins in official meetings.

Trump now claims that CNN needs new ownership. Many see this as a desire for ownership that will protect him from criticism and scrutiny. That is a factor in why he appears to favor Paramount Skydance, which has made a unsolicited offer.

He has grounds to prefer that bidder more. For one thing, it is run by David Ellison, son of the pro-Trump Larry Ellison, one of the world’s richest people.

Paramount, owner of CBS News, also recently installed the right-leaning Bari Weiss, famous for her “anti-woke” beliefs, as the lead editor of that venerable news network.

A Possibility of More Turmoil

Significantly, if Netflix is successful, CNN and other cable outlets would first be separated into a independent unit. That would be a relief to many at the network, but it’s not exactly a guarantee of stability. That setup could set up CNN for a future sale. There is no finish line.

In the view of Timothy Wu, a lot of this is illegal, anyway. The influential voice of big tech’s dominance recently argued that anti-trust laws should disallow both deals.

“Both acquisition attempts would be bad for the country, and both should be contested by the government,” Wu stated.

The Core Problem and a Path Forward

Whatever happens in this situation, the bigger problem remains.

“Our current system is a profoundly system hostile to democracy, but we shouldn’t give in to a sense of powerlessness,” Pickard emphasized. Government actions – from the 1930s and 1940s – helped to create this overly commercial monster, and revised policy decisions can tackle it.

Is this likely in an era where the Federal Communications Commission chair won’t even affirm that the agency is independent? Change is a distant prospect now, but that is not to say it will never happen.

Policies that support independent news organizations, reinforce local journalism, subsidize public media, and prohibit the consolidation of media power in very few hands are not only possible – they are vital for a healthy democracy.

When it comes to media ownership, size does not equal quality. And news organizations such as CNN cannot be pawns in the most recent acquisition battle.

The writer

Lisa Johnson

Elena Voss is a Berlin-based music journalist and curator with a passion for experimental and ambient genres.

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